Includes bibliographical references and index.

Introduction / Carin Franzén and Johanna Vernqvist -- Domenica da Paradiso and the prophetic discipline of the body and soul / Eleonora Cappuccilli -- Subversive bodies and the sense of the senses : Lavinia Fontana, Tullia d'Aragona and Gaspara Stampa / Johanna Vernqvist -- A female dissenter in Counter-Reformation Spain : Oliva Sabuco de Nantes, between Epicureanism and Stoicism / Karine Durin -- Epicurean virtues for a post-heroic age? Tracing the critique of heroism in Antoinette Deshoulières' poetry and drama / Nan Gerdes -- Disguised body, two-faced text : storytelling as a game of power in Villedieu's Mémoires de la vie de Henriette-Sylvie de Molière / Sofia Warkander -- Queen Christina's heroism : the writing of maxims as a way through subjectivation / Carin Franzén -- Making sense of sorrow : poetic authority and the bodily experience of grief in Hedvig Charlotta Nordenflycht's The Grieving Turtle Dove / Matilda Amundsen Bergström.

The body, touch and its sensations are present, sometimes viewed in contradictory ways, both expressed, visualized, and rejected, in early modern art and literature. In seven essays moving from the 16th to the mid-18th century, and from Italy and Spain to France and Sweden, this volume explores strategies used by early modern women poets, philosophers, and artists in order to create subversive expressions of the body, gender and the senses. Showing how body and soul, the carnal and the divine, the senses and the mind, could be represented as intertwined and dependent on each other in various ways, it gives due attention to European women writers and artists that in unconventional ways responded to the period's two main intellectual and philosophical attitudes - Epicurean and Stoic - towards the body and its senses. These attitudes not only intersect in the period's discussions of virtue and other moral phenomena, but are central to critical assessment of the relations between emotions, perception, and reason. By following this topic from a gender perspective, the book highlights other forms of subjectivity than the ones usually related to the early modern period's dominating subjectivation of female bodies, thinking and desires.

"This volume has been published with financial support of Riksbankens Jubileumsfond"--Title page verso.