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020			_a9783110788327
020			_a3110788322
035			_a(OCoLC)on1424849043
040			_aCRL _beng _erda _cCRL _dCRL
041			_2eng _aeng
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245	0	0	_aBody, gender, senses: _bSubversive expressions in early modern art and literature _c; edited by Carin Franzén & Johanna Vernqvist.
246	3	0	_aSubversive expressions in early modern art and literature
260			_aBerlin, USA: _bDe Gruyter, _c2024.
264		1	_c[2024]
264		4	_c©2024
300			_aviii, 164p.: _bcolor illustrations, facsimiles ; _c24 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
365			_b69.95 _cEURO
504			_aIncludes bibliographical references and index.
505	0	0	_tIntroduction / _rCarin Franzén and Johanna Vernqvist -- _tDomenica da Paradiso and the prophetic discipline of the body and soul / _rEleonora Cappuccilli -- _tSubversive bodies and the sense of the senses : Lavinia Fontana, Tullia d'Aragona and Gaspara Stampa / _rJohanna Vernqvist -- _tA female dissenter in Counter-Reformation Spain : Oliva Sabuco de Nantes, between Epicureanism and Stoicism / _rKarine Durin -- _tEpicurean virtues for a post-heroic age? Tracing the critique of heroism in Antoinette Deshoulières' poetry and drama / _rNan Gerdes -- _tDisguised body, two-faced text : storytelling as a game of power in Villedieu's Mémoires de la vie de Henriette-Sylvie de Molière / _rSofia Warkander -- _tQueen Christina's heroism : the writing of maxims as a way through subjectivation / _rCarin Franzén -- _tMaking sense of sorrow : poetic authority and the bodily experience of grief in Hedvig Charlotta Nordenflycht's The Grieving Turtle Dove / _rMatilda Amundsen Bergström.
520			_aThe body, touch and its sensations are present, sometimes viewed in contradictory ways, both expressed, visualized, and rejected, in early modern art and literature. In seven essays moving from the 16th to the mid-18th century, and from Italy and Spain to France and Sweden, this volume explores strategies used by early modern women poets, philosophers, and artists in order to create subversive expressions of the body, gender and the senses. Showing how body and soul, the carnal and the divine, the senses and the mind, could be represented as intertwined and dependent on each other in various ways, it gives due attention to European women writers and artists that in unconventional ways responded to the period's two main intellectual and philosophical attitudes - Epicurean and Stoic - towards the body and its senses. These attitudes not only intersect in the period's discussions of virtue and other moral phenomena, but are central to critical assessment of the relations between emotions, perception, and reason. By following this topic from a gender perspective, the book highlights other forms of subjectivity than the ones usually related to the early modern period's dominating subjectivation of female bodies, thinking and desires.
536			_a"This volume has been published with financial support of Riksbankens Jubileumsfond"--Title page verso.
650		0	_aHuman body in literature _xHistory and criticism. _9754367
650		0	_aHuman figure in art _xHistory. _9754368
650		0	_aWomen authors.
650		0	_aWomen artists. _9672434
650		0	_aBody and soul in literature. _9754369
650		0	_aBody and soul in art. _9754370
650		0	_aArt _xThemes, motives. _9754371
650		0	_aLiterature _xThemes, motives. _9754372
650		7	_atheme. _2aat _9754373
653		4	_a1500-1799
700	1		_aFranzén, Carin, _eeditor. _9754374
700	1		_aVernqvist, Johanna, _d1985- _eeditor. _9754375
710	2		_aRiksbankens jubileumsfond, _esponsoring body. _9754376
776	0	8	_iOnline version: _tBody, Gender, Senses. _dBerlin ; Boston : De Gruyter, [2024] _z9783110799330 _w(DLC) 2023949767 _w(OCoLC)1425555852
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